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  • in reply to: Kris and Winnie #8008
    Tracy Sklenar
    Keymaster

    Hi there! Really nice work on these!!! Many beautiful moments!

    Some ideas for you:

    Course 1:
    Backside at 2: Your first impulse on how to handle it is correct: send and leave! She needed a little training to come in – good job training it there! It really helped remind her of the commitment so you could just move through it. Adding connection also helped! You can also add calling her name to help get commitment – and keep training so you can work back up to running through it.
    On the 3-4 (jump-tunnel) section at 1:09 – as she is approaching 3, give her a threadle cue or a cross. You clapped and called her name, so she landed and didn’t know what you wanted for a couple of strides.

    You can start cuing the line to 5 sooner, tell her while she is in the tunnel so she exits already knowing where it is πŸ™‚
    good job 6-7-8-9, it looked great!!! The ending line also looked really good! You can tighten up the turn at 12 but decelerating sooner to turn sooner, then take one more step more directly back to the tunnel. You can also try turning her the other direction, which might be slightly longer yardage but sets up an easier turn and better lines.

    Course 2:

    To smooth out the very beginning, put her on a slice line 1-2 for a better line and not a zig zag line when she lands from 1.
    I agree, your backsides looked good on this one! Your backside pushes look REALLY good and on this course, you help your connection longer to get her to take the jump. Yes, hold your connection but keep moving – on the first run, you had a good push to 4 and strong connection to get her to take it but you slowed down and ended up with the wrong side of 5.
    6-7-8-9 looked good, great connection! Really nice! You stepped in a little too much to 8 on the 2nd run, almost getting the frame, but saved it because you were connected πŸ™‚

    For the 9-10-11-12 line – Call her before she goes into the #9 tunnel and move away more so she chases your line to 10. The first rep didn’t have enough info so she took the line from the previous course. The 2nd rep was much better – you did call here, but it was a little late and she did look at the wrong jump for a moment. If you call before she enters the tunnel, you will have a great line on the exit.

    For her, I think the best way to set the 10-11 line is a lap turn: face her to bring her in, then step back and turn her head away to set the turn… and when she has the turn, indicate the jump. On the first rep you were a little too forward there. On the 2nd rep at 1:05, you had MUCH better foot rotation to face her but indicated the jump before turning her. These lap turn moves take a ton of patience (so hard for us humans LOL!!) to be sure the dogs are turned before you give permission to take the jump. Having her follow your hand cue will really help!

    Really nice ending on both runs!!! Great job here, these were hard!!

    Tracy

    in reply to: Khamsin & Mochi #8007
    Tracy Sklenar
    Keymaster

    Hi there!
    Seq 1: She really is such a nice turning dog – it is impressive, especially considering all that power and speed that she also has. The opening line on both reps looks lovely and she is collecting nicely for 3! I think we can give her a slightly different style of cue for 3-4:
    At :04 and :15, you were decelerating (which she reads really well) and rotating towards her, kind of like a reverse flow pivot, then rotating back to the tunnel. She is collecting and turning, but landing and looking at you on both reps, waiting for the cue to go back to the tunnel. And it results in you running a backwards a little. That doesn’t create a problem on this sequence, but it might in other places because running backwards can delay your exit up the next line. So, something to try on 3 here is the soft-brake where you decel like you did, but use the other arm (or both arms) to indicate that you would love a little collection there – you will be connected with her but don’t turn towards her – turn towards the tunnel. This should get the great turn and an earlier cue to go to the tunnel which can then give you a change to make a more dramatic transition into the rotation to tighten up her exit line as well there.

    Seq 2:
    On jump1, you can line her up on a slice for 1, so she can get a straight line to 2 rather than land then turn. Rep 2 and also at :52 had better line ups and had more slice, making her line there straighter than reps 1 and 3 and the last rep.

    You had more of a turn-towards-the-tunnel cue on 4 on the first and 2nd rep and the last rep (especially that 2nd rep and last rep, really nice!) and she turned well! But then you disconnected and didn’t cue her to take the tunnel on the 1st rep so she ran to you, good girl!! The other reps had much clearer tunnel cues πŸ™‚
    You rotated a little towards her on the 3rd rep, but the lines wher you turned away were quite perfect.

    She dropped the bar of 3 at 1:11… it looked like just a slightly late shoulder turn there. She did well with her jumping on the rest of it!

    She did totally have trouble with that last jump! I think the exit of the tunnel was pointing to a straight line that did indeed go to the backside, so on your RUN cue, she went straight. An your running line supported it on the first couple of reps. Good to know for future backside sends!! Then as you were changing your running line, you got quiet on the tunnel entry so she did turn and look at you – your upper body was a little “open” to her, so she pinged back out to the backside. You closed your shoulders forward a bit more towards the end and added calling her, that is when she was able to get it. So I think the main thing is that she is pretty literal (that is good) so as you set and walk courses, check out what the literal line is on tunnel exits to see if she needs a name call before entry, or how a run cue will create a line. She needed a slight turn cue here, so was being a good girl to go to the backside for the run cue πŸ™‚

    Seq 3:
    Breaking this down into sections:
    You had her set up on a good slice 1-2 so she had pretty straight lines there!
    Now, back to tunnel exits πŸ™‚ On the exit of 2, she definitely needs a turn cue before she goes in – not a physical one, necessarily, unless you can do it from way ahead of her – but definitely a verbal cue (I would use a right cue) – you did add a verbal but I think you were saying “left”? LOL! What were you saying there? It helped her though. You also had a brake arm going, which also helps! Try to be further up the line to release her, she will still the the brake arm before the tunnel and then it is easier for you to get to 3.

    On the wrap at 3:

    Turning your feet before she passes you totally helps tighten up the wrap there. At :09 and :16 you were a little late with the rotation, so she dropped the bar at :09 and was a little wide at :16. You were earlier at :30 and she was really nice over the bar!

    Then you can get away from 4 sooner – send and go – which is probably all she needs to tighten up the line from 4 to the tunnel. She was a little wide because you were facing forward until she took off, so she landed long. By leaving sooner, she can see your line of running sooner and you will have time to use a verbal, to get a better turn towards 6.

    OK, 6 πŸ™‚ The back jumping is more of a dog training moment than a handling moment. Even if you are late, we still want her to drive around the wing and never back jump it (the back jumping was an impressive display of athleticism, though!!!)
    So two ways to tackle training the skill:
    replace the jump with just a wing – so after the tunnel, you cue the wrap on a wing. It will be easier for you to move away from ‘just’ a wing at speed and she is more likely to wrap it and not back jump it. That way you can work at full speed and get correct behavior
    Work with a jump there, but use a slower, steady motion (don’t stop, just walk through it at a steady pace) and drop the reinforcement at the outside edge of the wing as you move through, to encourage her to go there as you continue to move forward, and not back jump to try to catch up to you. You can then steadily increase your speed so eventually you will be able to full out run πŸ™‚ And no more rewards for back jumping – you can tell her she is cute and a gifted athlete πŸ™‚ but the toy is only for NOT back jumping LOL!!!

    Great job on these! Let me know what you think!
    Tracy

    in reply to: Peggy and Demi, and Wilson too #8006
    Tracy Sklenar
    Keymaster

    Good morning!

    Nice job sorting out the verbals and connections on these!!

    Video 1:
    First rep – first wrap was good! Good verbals! Good transitions! She is definitely getting really good at turning, even with the bars higher. 2nd wrap was a little late but also she did well on it. Yes, more connection needed on the backside – plan for it in your walk through by reminding yourself to look at her eyes as she comes around the previous jump and give the backside cue directly to her eyes πŸ™‚

    2nd rep – You had the good verbals going again, but keep starting them earlier – the verbal was really late on 1st wrap (she was already taking off) and a little late on 2nd wrap. She got the backside on this one (yay!) – you were a little more connected but also you added a little step to the backside at a good time, and that totally helped as well.

    3rd rep – high energy from you really helped her out – it looks like it is hot out! Your timing on the 1st wrap can be a little sooner, but I am thinking you were pushing a little harder to get her speed up. 2nd wrap was really nice, she really does well on the send-and-go when you have that little decel!!
    On the backside – you were totally looking forward at the jump and your step to the backside was too late at :46, she was already locked onto the front. So you can totally use the step, but be sure to do it really early and make a massive connection to her eyes (you made a great connection on the 2nd video when she was on your right, so maybe you are more comfy with backsides on your right than one your left?)
    You showed her a better connection on the backside right at the end so she got it, good girl! Be sure to throw the toy nice and long after it so she can run ti it and not land on it πŸ™‚

    2nd video
    You mentioned focusing on the decel: It shows! And yes, the decel really helps her and she is setting up her turns much tighter even with higher bars. Nice!

    first rep, you did a regular blind on the first wrap (rather than a spin) so she pulled the bar but my guess is you were distracted by her lack of speed off the start line – she did look hot or something here at the start. The early summer heat is hard on the dogs, so you can work her on the taller bars in the cooler parts of the day, and then if it starts to heat up or after a few reps, you can lower the bars a little so she can stay really engaged.

    The next wrap looked great good though and you were really connected after the blinds here! And the backside was good! You mentioned feeling like you were not connecting enough… I think you were, here. And she was speeding up through them, which means she liked them too!

    second rep – she wasn’t really driving off the start line so you had a little refusal on 2, I think it was that more of the timing getting thrown off than the verbal – but yes, don’t say “here” LOL! You were smart to not lead out as much on the next rep – you ended up with a little RC there on jump 3 but then you had super high energy and great connection on both of the last 2 reps. When she got hot, you had to increase your energy and connection, which was actually really good practice because it gave you a feel for keeping up the intensity all the way through – and you did a great job with that on the last 2 reps. She liked it too – ran fast and happy, even though she was hot.

    When you look at the custom skills sets: there is one about commitment when the connection is a little soft, or the handling is sudden… that will help her commit even if you aren’t perfect. She sometimes pulls off at the last minute when she is very close to the jump, so that game will help her (and make your life easier too :))
    Great job!!! Let me know what you think!
    Tracy

    in reply to: Karen and Tokaji #8004
    Tracy Sklenar
    Keymaster

    Hi!

    >>We need work on tunnel exits!

    Package 2, coming Monday πŸ™‚ Great tunnel exits can provide a tremendous advantage on course for handling, so I am looking forward to it!!

    >> And I need more help paying attention to the course map.

    Ha! I drink lots of coffee for that πŸ™‚

    >>Mas. 1. I see where a tiny break in connection caused her to not take the backside of 6. On second rep I added our cue for go away from me. I don’t know if it helped her or re-enforced my connection.>>

    Possibly both. I like to give the dog as MUCH info as possible: connection, verbals, physical cues, etc.

    >>Mas 2..i was asking myself why I was taking such a long lead out.

    I think maybe I will add strategizing lead out positions to the list of CAMP stuff… I definitely struggle sometimes to know exactly where the best lead out spot it!

    >>Mas 3.. I think I can send to the tunnel and leave earlier, and yes I thought we should take 5 out of the tunnel, totally missed 8. I am crediting all this to β€œhumid head”>>

    Fingers crossed for better weather ahead, but somehow I think we are stuck with the humidity LOL!

    T

    in reply to: Julie with Spot and Wager #8003
    Tracy Sklenar
    Keymaster

    Hi!

    >>our instructions to us were to do 1 level in each category, but what do you think about us trying the Master’s level sequence instead of the coursework with Spot since I don’t think I can do the running involved in it yet?

    That is a great idea! You can get lots of training in without over-doing it with the knee. The big courses do require a lot of run run running πŸ™‚ Give Wager an extra cookie though, so he doesn’t get angry πŸ™‚

    T

    in reply to: Nancy S. Training Thread #8002
    Tracy Sklenar
    Keymaster

    Hi!

    >>I kind of laughed at your comment about not playing it safe and pushing hard. Kimber only knows one speed, RLH, and she yells at me (as you have seen) if I’m not getting with it. Well, she yells at me anyway. Ha!>>

    Perfect!! Opinionated dogs are always welcome πŸ™‚ And the game is more fun when played fast and on the edge πŸ™‚

    >>See, you have such good ideas that I don’t even think of! Never thought about a RC from 12-13, but yes, I think it would work better.

    That is the fun of online classed – plenty of time to obsess and play with different options πŸ™‚

    >>Now, I know what a force FC is, but I’m having trouble envisioning what the β€œforced blind on the takeoff side” would look like. I tried to find a diagram or something that might help me with this, but no luck.

    So a forced blind and a forced front happen in the same spot: takeoff side of a backside jump. The difference is that one a forced front, we turn towards the dog and on a forced blind, we turn away from the dog. Forced blinds can be a little tricky to get used to but then they are SUPER awesome in the toolbox. Based on how well she read your blind 3-4, I think they are great fun to try with her.

    I found these 2 videos of it. I will look for something more recent:
    https://www.youtube.com/watch?v=EHuX-lMu-EY
    https://www.youtube.com/watch?v=UCf7eLDl4Jk

    >>This is at least twice you have mentioned I should be further over on the jump on the send to the back side; I’m trying! I’m just not trusting her I guess. We will continue to work on that because we definitely need it.>>

    You can isolate it as a skill set and then it will get a lot more comfortable.

    >>if I can figure out that force blind cross, I will try that!

    Yay! Have fun!

    in reply to: Custom Skills Sets! #7983
    Tracy Sklenar
    Keymaster

    Do you mean the tunnel exit to ping away to 5? The closest you’ll see if the independent backside line, but you can adjust it to be a front side from the tunnel exit, where you move along your parallel path and use upper body and verbal to push her to 5.

    in reply to: Head turns #7982
    Tracy Sklenar
    Keymaster

    Hi!

    >>Most of those dogs never will get it right the first time because it hasn’t been trained.

    Agreed!!! I am certainly guilty of lack of training πŸ™‚

    >> I think the dogs really do want to find the best way to do the turns.

    Yes – and that is where it is hard. To do the wrap turns the way we want them to… they need to slow down, shift, turn their heads. But it might feel easier for some dogs to land then turn – it must be an awesome feeling of power to dig into the turf like that and kick up some dirt! But those dogs often don’t mind falling on their heads or shoulders either…. (Voodoo, I am looking at you buddy!)

    in reply to: Julie with Spot and Wager #7981
    Tracy Sklenar
    Keymaster

    Hi there!

    >>Yes a wrap cue, I actually looked at that 3rd jump to decide if it was a wrap or a soft turn and since his left and right aren’t strong yet I talked myself into it being significantly more than 90 degrees, but looking at the video I see that he over turned the first time. When I tried it tonight I used a left and I think it was better.>>

    I have narrowed my verbals down in definition to help myself decide: wrap cues are only for true wraps where I want the dog to come right back around the wing, very close to it (not eventually back around the wing). Those 90 degree turns or “eventually” back around the wing are soft turn cues. Food for thought πŸ™‚

    >> He was such a thinker and slow before I’m doing it without thinking.

    He is in the same track that my Voodoo was at a year old – thoughtful, deliberate…. I thought I was going to have a medium-speed steady dog. I was fine with that, actually hahahaha! Well, turns out this style of training brings out a lot of speed so I have more speed than I need with Voodoo. Spot is just like him! And my Contraband pup is like Spot – very deliberate right now. But on the stuff he understands… scary speed. Ha! So, Spot will be plenty speedy, I can see it already. Fun!

    On the video:
    first rep: nailed it! And he was moving faster too! The decel and left looked gret on jump 3. Great connection too! Yes, you had the ‘wrong’ last jump but you were emphatic about it, so he was happy πŸ™‚ And the fix looked great too.
    2nd sequence: he doesn’t need quite as much name call out of the first tunnel, it pulled him in a little too much. Just the over cue is all he appears to need there at 3. The rest was super connection and clear – you did a particularly good job with a calmer “over left” on 4 and a more excited GO at the end. Nice!!

    3rd sequence – also really nice! Great job with your connection on the opening 1-2-3 – NICE wrap on 3, really nice use of both the physical and verbal cues. You can play with showing him the slice there too and we can see which is faster πŸ™‚ On the way to 4: it was the only time you said “ready” – so I will only bug you a little πŸ™‚ And also very nice wrap at 6!

    So overall – you had great connection throughout, smooth running lines and clearer verbals… check out how fast AND tight he was on these. VERY fun to see this developing!!!!!!! Well done πŸ™‚

    Tracy

    in reply to: Nancy S. Training Thread #7980
    Tracy Sklenar
    Keymaster

    Hi! GREAT job on these – you were aggressive in your handling, great choices, and so much of it was connected and fabulous! I have a few tweaks for you but overall, you and Kimber looked super! And the radio was funny LOL!!!

    >> I didn’t get her pushed soon enough and she just ran parallel past the jump. I think this was the most difficult part of the course.

    Yes – 4-5 was hard. Upper body connection is helpful – you can keep your eyes on her but your feet on the running line and that can help push her away there. I thought you did a really good job on the videos!

    On both runs – great running. You were not playing it safe, you were pushing hard and it was great!

    First run:
    Nice job here throughout! On the opening – you can push to 2 from further across the bar, so you are further ahead for 3 and get the FC sooner. Ideally, you would be at least center of the bar to give the push cue, or even on the exit wing so you can leave as she is heading to the entry wing. Or another option is to lead out past the entry wing and do a forced FC or forced blind on the takeoff side, if your lead out is strong enough and she will let you get there (I think she will!) Nice line 4-8! Great driving and connection. 5 looked great! VERY nice a-frame to threadle to tunnel (9-10-11), really lovely turn over 10 to the tunnel!!!
    One little tweak at the end: you were a little too forward on your cue to turn at 12, facing forward a bit too long and ending up on the landing side of the jump. You can rotate sooner and stay on takeoff side to make it a little tighter. The other option is that you can also turn the other way on 12 (to her left) – might be faster because it is an easier wrap and then the line is better back to the tunnel. She is of the size where it is possible the wrap is faster but it would be fun to try both and time the difference.

    2nd run – Another lovely run! I agree: I like the blind on 3-4 better. You started it sooner (nice commitment!) and she had a nice turn! One suggestion – keep your arms in tight on blind and on the send – your arms were high and they slowed you down trying to get up the line after the tunnel – you had to fight to get 5. Since I am short and not fast, I have learned to pull my arms in so I can get going fast out of the turn, and high arms tend to slow us all down.
    That line from 6-11 looked great again! She really did not put a foot out of place. You had a better decel on the takeoff side of 12 and she had a nice turn! If you get a chance to run it again, try turning her to the left on 12 and we can compare the speed!

    Great job! Let me know what you think!
    Tracy

    in reply to: Nancy S. Training Thread #7977
    Tracy Sklenar
    Keymaster

    Hi!

    >> I guess I just need to say her name, or even just to give the command of the next obstacle. I’ve got to work on that.

    I like to plan all of that in the walk through – I am the crazy person who walks around saying all of the verbals as if the dog is right there πŸ™‚

    >> She is so β€œtwitchy”; sometimes I can send her long distances, and then other times she will sense me going somewhere else and pull off…and I never know when to expect the pull off, so I’m usually overly careful, which slows me up on getting further ahead. But definitely something we need to work on.

    We will look for that here and see why she is sometimes twitchy. My guess is that it is a connection thing: when you are looking at her, she commits. But when you aren’t, she doesn’t commit (that is pretty common :)) It could also be that if you are smooth in your transitions (decelerating the rotating while connected, she commits. But if you slam on the brakes – so does she.

    So with that in mind, you might want to look at the Custom Skills Sets that focus on transitions and also commitment when our connection is weak or we slam on the brakes – both can help!

    T

    in reply to: Eileen and Ivan #7976
    Tracy Sklenar
    Keymaster

    Hi Eileen! These were great!!!Perfect timing on your reward on the first one.
    On the 2nd one – did he give you sass on the start line right at about :04 when you were beginning your lead out? I love sass, it means the dog is pumped up!
    This was also really fast and fun – almost bordering on wild, which is perfect πŸ™‚ For now, try to run closer to all of the obstacles so he sees you running hard and almost in a panic at all times LOL! He seems to be LOVING the ball throw!!!!

    I added the customs skills sets yesterday on the Course Syllabus page (after you ran this) – the main one for him is the running rewards. That is another way to build speed on sequences.

    And then of course we can game plan how to bring it all into trials as well!

    Great job!
    Tracy

    in reply to: LInda, Mookie and Buddy #7971
    Tracy Sklenar
    Keymaster

    Hi! Thanks for the update!

    >> was able to get through the Novice and Masters sequences with my dogs this past week.
    My young dog Buddy had no issues for me ( he is slower than Mookie but runs steady and ha been reading my cues) (which I have time for πŸ™‚ )

    Yay! Great job, Buddy!!

    >>I could only do short sessions due to the heat here so it took me 3 days to figure it out.
    He kept knocking the bar of jump 2 into the tunnel 3 when I showed decele, did a shoulder turn and used a verbal turn cue.>>
    >>When I actually did a break cue with both hands and a verbal turn cue he got it every time and kept the bar up.>>

    That is good to know – he felt that decel and a shoulder turn was not clear enough, but the brake hands really helped! Great!!! And yes, glad to hear the verbal helps too!

    >>I was then able to get it down to using one break hand with a verbal turn cue the next day.

    Perfect!

    >>I am so glad you listed the Custom Skill Sets just when I needed them to work on.
    >>I can see now that Mookie needs a strong break cues while Buddy responds to less.
    Mookie also needed a stronger cue as it was at the start. He had to turn at jump 2 and he takes off >>like a bullet from the start line.

    That is something that is pretty normal – different dogs needing different levels of intensity on the cues. And, for some dogs, the start line is SO HARD that the basically EXPLODE and need very strong cues… then they settle in LOL!

    Thanks for the update, it sounds like the boys are doing really well!
    Tracy

    in reply to: Barb & Enzo #7968
    Tracy Sklenar
    Keymaster

    Hello! Fabulous shirt, of course πŸ™‚

    Great job on these sequences: I loved his speed here – he was pushing hard, which I love!!! Some thoughts about the various reps:

    Seq 1:
    The timing on beginning the spin at 3 is pretty early – on reps 2 and 3 you started the physical cue (decel on rep 2, dropping into position on rep 3) while he was in the air over 2 and those were much better turns. On rep 1, you started the verbal only while he was in the air – and that was the widest turn.
    On rep 2, the spin worked well – on rep 3 you were more in the ‘in your face’ position, almost shaping the turn – but there was not a really difference in the turn. I suggest saving that position for the tighter turns (wraps, reverse v-sets) so when he sees you there like that, it will always mean ‘exit SUPER tight’ – if he sees you there and then you exit on a wider line, he won’t do as much collecting (which is what was happening here).

    You can also play with a soft-brake collection to see if that can get a nice soft turn without needing a spin- the spin rotation can cause you to show too much acceleration to the tunnel – on your first rep, the turn cues on the tunnel entry were a little late. On the 2nd rep, you were earlier because there was decel and verbal happening and by the 3rd rep, he was turning nicely! You can work on getting your feet fully turned before the tunnel entry so he sees countermotion to the last jump before he enters the tunnel, to see how much of a turn he can produce on the exit πŸ™‚

    2nd sequence:

    Really lovely opening!!! The spin on 4 (first rep) went well, but I think it delays you from getting up the line after the tunnel. You can add your verbal go cue earlier before the tunnel entry, then as you drive up the line: reach your connection into the tunnel more, try to make connection before he exits to help straighten up the line there.

    2nd rep – another nice opening! You were a little late on 4 so he was a little wide but you were
    further ahead on the tunnel exit to the end so that set the line better to the last jump. Try to turn your head a little more to your right side – that will make it perfect because he won’t have to check in at all.

    3rd rep – Your lead out position near 4 worked well for the line 1-2, but he had a question 2-3 (big slip) probably because you were stationary and he wasn’t sure if you wanted him to stay on the line or come in to 4, skipping 3.
    As I mentioned on the 1st sequence – being right on the wing, almost shaping 4, might result in losing the strength of the cue when you want tighter turns (because it is paired with a moderate turn here) so I would save it for those super tight turn moments. You can do the spin in a similar spot without as much shaping and it will get you up the line past the tunnel like you did here! Nicest ending of the 3 reps on this one!

    I agree that the 7.0 times were due to better ending line on the last rep… also note that adding the stronger collection cue actually did not help more speed there – he was faster on the previous rep when 4 was a little late but you had a nice ending line.

    Seq 3:
    You can play with turning him on the slice line on jump 6 – when walking the distance from the tunnel exit, it is probably close to the same – and the slice will be very fast. However, I did think his wraps were really lovely!! I agree with choosing the slice line at 3: definitely fastest.

    Rep 1:
    Nice timing of the turn cue before he went into the tunnel!
    Moving backwards into the turn at 3 slowed him down on the way to 3 a bit too much (especially compared to rep 2) – you can rotate and leave to show him countermotion, which helps him produce really nice turns!
    He needs a bit of a turn cue on 4 – just a send and go and matching verbal (left) will tighten it – you were a bit too parallel and the tunnel verbal was very exciting, so he was a little wide there.
    Nice turn on 6 at :23! Good transition to get into it, and great job getting outta there to drive the next line!

    Rep 2 – I like this opening even better for 1-2-3 – you ran forward into 3 more. I isolated that section and it was faster than then previous rep where you were backwards and he slowed down.
    As with rep 1, a turn cue on 4 will help him read the line 4-5 – he fell on his head there (which also shows how much faster 3 was if he had a spill and the overall time was still faster!)
    You can call him a little bit (just a little :)) before he enters the tunnel so he is a little tighter on the way to 6 – and another nice turn at :47! Very nice!

    Great job on these – let me know what you think of the suggestions.
    Tracy

    in reply to: Lisa and Lanna #7967
    Tracy Sklenar
    Keymaster

    Hi there! Fashionably late, but still in time for the party πŸ™‚

    On the skills video:
    1st rep – your rotation was a little too abrupt because you were not moving a lot on the release. You can move into it more – but also work the custom skill set (see below) so she will commit even when we are abrupt by accident. And then you can add a bit more connection to the backside to smooth it out.

    2nd rep – much smoother in your motion 1-2!! She committed nicely.
    On jump 3: she probably would be fine with a send and go, just needs more connection to the backside than on the 1st rep. On the 2nd rep you did a spin there at :41. You can start it earlier by deceling so you can rotate as she is passing you, then do the blind element as she is gathering for takeoff. You started the fC as she was lifting off, so she had a zig zag on landing before the push to the backside.

    The RC at 1:25 and 1:57 looked really good, those are hard with very little momentum on 2 jumps!!
    On jump 3 at 1:27 – it looked like you were going to rotate then changed your mind – but it lets us see that the send-and-go actually works really well with her! If you send sooner and go, she will be quite tight around that and then you won’t need to do a lot of rotating!
    I think at 2:00 you were wanting the backside on 3 – more connection to her and less arm cue will help all that – the arm cue and looking forward turn your shoulders to indicate the front of the bar, which is why she didn’t take the back even though your running line was near it.

    You can work 2 of the custom skills sets to help some of the oopsies here: the independent backsides and the commitment when are connection is soft or we turn abruptly:

    Sequence 1:
    Rep 1: Nice connection on the opening! As she lands from 3, maintain that connection – she looked up at you a little there.
    You had a little too much forward movement after 3 so she picked up 4 and an extra jump πŸ™‚
    Nice line and connection to the last jump!
    Rep 2: Nice connection on the opening AND over 3 to 4! You had a clearer turn cue on 4 so she did not pick up any bonus jumps. You had a decel and earlier rotation going and a name call, it set up a really nice turn! You can start your tunel verbal as she is over the bar at 4 so she is hearing when she lands: she looked up at you as if to say “what’s next?” there. Nice ending line again there too πŸ™‚

    Sequence 2:
    set up on a straight line 1-2, GREAT turn on 3!
    nice send and go at 4! I suggest adding verbals to all of that – wrap verbals for 3 and 4, and the tunnel verbal for 5. As you run away at :10, you got quiet and closed your shoulders forward, so she did not push away to the tunnel (good girl! Your body language did not indicate tunnel). Your connection & verbal on the redo at :18 were great! And she got it perfectly.
    Really nice turn at :21 on jump 6, she is such a nice turning dog!!!

    Quote of the day from you at :36: “Holy shit, you’ve got a lot of speed on you. ”
    HA! Yes! I love it, she is so fun!

    Last rep – nice line 1-2-3! As you indicate the wrap at 3, slow down so you can stop your motion a bit more – your momentum is causing you to rock back a little at 1:22. If you decel then you can turn your feet to 4 and move forward – which will help out for the send to 4 because you can send sooner (you will already be pointing that direction). You were a little late sending and leaving at 1:24, so she pulled the bar there.
    You had a little decel going into the wrap at 6 and that allowed you to step more forward (while also getting a really nice turn).

    Great job here!!! Let me know what you think!
    Tracy

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