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Tracy Sklenar
KeymasterThe simple backside lines were really good, and adding the jump wen well too! Nice work with the reward places! More of these will help build up the indpendence so you can cue the backside and run fowrard, trusting her to take the jump. When working this on a jump, lower the bar and throw the reward further away from it on the landing side so she doesn’t torque her shoulders landing close to a taller bar.
On the last rep, being further past jump 1 before she takes off for i t will help you set the line with motion (to the center of the bar of the backside jump) and big extreme connection that she can see as you deliver the push cue (as she is jumping the 1st jump). She was ahead of you here so even though you said the verbal, the physical cues all moved to the front of the bar so that is where she went. Being further ahead for now will help solidify the skill and then she will be able to eventually do it on the verbal even when you are behind her.
Nice work here!!
TracyTracy Sklenar
KeymasterHi!
Yay, she did seem happy here! The up and down game helped her out for sure! And the simple, fun lines will add to that ‘feel good’ approach for her. More ‘regular’ connection on the exit of the frame to the spread jump will help, but also having a placed reward helps too so she can understand the line.T
Tracy Sklenar
KeymasterThat line will vary depending on which exit – for the disconnection games you will want to stay on a line no closer to the entry than the center of the bar, so you can easily run past the exit. But he might not be ready for that level quite yet.
Tracy
Tracy Sklenar
KeymasterHi –
>> I was trying to stay out side of the jump, when you say line do you mean in the middle?>>
Do you mean this, in reference to the backsides:
>>using the line on the ground, lead out at least 2 or 3 steps after the landing of jump 1. Then either do a psh to the outside of the backside wing (staying on your line) or have him go straight between the uprights as a balance rep.>>
If it is the backsides, you were heading towards the entry wing and rotating more than needed, so the handler running path should be more towards the center of the bar (at first) and on a parallel line to the line on the ground, cuing the push so he goes to the backside entry wing but you can easily move to the exit wing.
Or do you mean front side wraps? On those, yes, stay outside the wing/jump and decelerate on that line. Pushing in to the bar on those could cause a rear cross.
Let me know if that helps!
TracyTracy Sklenar
KeymasterHi! I think she did like the tunnel ๐ and there was definitely a lot more speed and less eye-rolling from her LOL!
She is not a huge fan of deceleration (she wants to run, but sometimes in agility we humans have to decelerate and turn LOL!) so what I do to build the love for slowing down is throw the reward really far. It seems counterintuitive, but when I slow down the dog gets excited because it means I am going to fling the toy (like a ball or frisbee or lotus ball). It really gets the dogs blasting through the โboringโ turns ๐ and adds more distance and commitment (definitely something we work on in MaxPup 3 :))
>>I kept getting my verbal and my physical cues mixed up. I blame it on tiredness. Iโd tell her close but signal for backside. She figured it out most of the time but I rewarded her either way cause it was a super obvious handler error! lol>>
That is totally relatable LOL and it was good to reward her. When we screw up the verbals, the dogs have to pick physical cue or verbal cue? So I am happy with whatever they pick because they are trying hard to figure out what the heck I want ๐
I am so glad you had fun here – you did a fantastic job!!!! I am looking forward to seeing you in MaxPup 3 :)โจโจ
TracyTracy Sklenar
KeymasterHi!
>>How long are you accepting videos? I know Iโm behind and I have no idea when the class is ending.>>
Feb 21 is the last day, hoping that the weather behaves itself LOL!!
>>It seems to me when I looked at these that if my outside hand comes up my body is magically drawn to take a step off the line>>
Yes, it is really hard to run completely straight with that much upper body rotation. A tiny bit of being drawn to the line is fine as long as it is very little and you are mainly moving forward (and not using the motion to send him to the jump). So you did have a little too much stepping towards the jump at the beginning but overall, I thought you did really well moving as straight as possible!
It was also super cool to see that he had perfect balance reps! That jump is so visible and enticing that the balance reps can be really hard, but he seemed to have no questions ๐ YAY!
He had a couple of questions on the out jump (at :40 then also at 2:02 and 2:18). Those were all when he was on your left and your right arm was the โoutsideโ arm. On those reps, you did have eye contact and the right arm was engaged, but it was not really pointing to the jump you wanted. It was pointing more to the start wing, so he looked at you trying to sort out the cue.
Compare to reps on the other side like at 1:20 and 1:38 where he is in your right and your left arm is the outside arm. On those reps, your outside arm was very visible out ahead of your shoulders, pointing to the wing of the jump, so he seemed to have no questions. That arm pointing to the jump really helps support the extreme connection.
So I bet if, when he is on your left, you point your right arm out to the jump while you move, he reads it perfectly ๐
Great job here! Let me know what you think!
TracyTracy Sklenar
KeymasterHi!
These went well!
One thing on both the backsides and the tight wraps – the timing can come sooner on the cues, starting when she is over the bar of the first jump so she has the info when she lands. When you see her getting to the start wing, you can disconnect for a few steps to get up the line faster, but you can re-connect sooner so you see her taking off for jump 1 and then start the extreme connection cues for the backside or wrap. You were tending to start them when she landed and when you got close to jump 2, which made the info late. If you connect to her sooner (with the good olโ regular connection ๐ ), the extreme connection can come sooner to smooth out the lines. Since you are ahead on these sequences, you can start the re-connection as you pass the first jump (which is a few strides before she gets to it ๐ )Looking at the backsides:
Using the outside arm to help get the extreme connection is going well! One thing to do is use it only as much as needed so you can give her the cues very directly, but without rotating your feet. You were using the extreme connection and outside arm and also the outside foot, so she got it but it ended up having you in a front cross position.To be able to get it from further across the bar (like you would need for a serp exit, for example) or if you were behind her, having your feet moving forward the whole time will be very useful! I put a line on the ground for myself so I practice running straight ๐
That outside arm and extreme connection can start as she is over jump 1 (and while you run straight too the center of the bar of jump 2). That should eliminate her questions like at :17 on the 2nd video where she ended up on the front and at :38 where she had a little zig zag before going to the backside.
Great job breaking down the tight wraps! It is a fine balance between not enough decel/too much pressure into the jump, which gets the rear cross, and decelerating too much that she doesnโt take the jump ๐ You sorted it out really well especially on the 2nd video – nice turns!
As with the backsides and the sequences on the next 2 videos, making sure you are connected again before she takes off for jump 1 will help the timing here for sure.
On the next video, the reconnection was happening as you were arriving at the wrap jump – since she didnโt have a lot of info as she jumped 1, she was jumping towards you with her head up a bit (the first rep on each video). The next reps on each video went more smoothly – you were connecting sooner so the wrap cues started sooner plus you had a transition in decel as you moved forward – the turns looked lovely! Super!!!
>>Also wondering if there is a class that would be good for J after this.>>
Yes! It is MaxPup 3 ๐ Lots of fun sequence stuff!
Great job here! Let me know what you think!
TracyTracy Sklenar
KeymasterGood morning!
>>After looking at that FAST video from last week it makes so much sense.>>
And that is why it is great to get everything on video – it really lets us see the big picture ๐
It was really interesting to see the 2 videos here! She had tighter turns on the 2nd video, turning to her left. So, what was the difference? It is possible that she is a lefty (although I donโt remember really seeing a left turn side preference from her) but also – your cues on the left turn wraps/dog on right video were one step earlier.
On the first video, your cues (decel, connection, verbal, rotation) started when she landed from the first jump, so she didnโt quite have enough time to fully process the cues to collect as much.
On the 2nd video, your cues on the 2 wrap reps were starting as she was on her way down from the jump so they were in progress as she landed (mainly the decel had started, which is a powerful element of the cue). It might seem subtle but it makes a big difference to her!
So you can anticipate landing and start your cues (decel, BIG connection, verbal ๐ ) as she is taking off for the first jump so when she lands, she sees them in progress and can set up the tight turn. The only thing that doesnโt start that early is the rotation, because it will pull her off of jump 2. So the decel and connection happen while you continue to move forward, and the rotation starts when she is approx halfway to the jump (or a little after that).
Both of the straight line balance reps looked fabulous ๐
>>If you have any recommendations as to what I should enroll in next in terms of your courses I am all ears.>>
I am glad you had fun!!! I am currently sorting out what the next class will be for the โgrown upโ dogs ๐ It will probably be a short-form class like this one with a special focus topic such as independent backsides or jump-tunnel discriminations. I will get that sorted in the next few days and keep you posted ๐
Tracy
Tracy Sklenar
KeymasterHi!
>>She is by no means a tunnel sucker and occasionally will skip a tunnel entry too but I think overall, tunnels still get her some speed so Iโll definitely be incorporating that next time!>
I think that can help get her blasting into the opening of a sequence if the opening is setup with very little handler motion.
>>So with the threadles, I tell her close to bring her in and then I run towards the wing and meet up with her on the other side/landing spot to teach her that close means come in and jump all in one verbal?>>
Yes – it is a converging pressure towards the exit wing of the threadle. It is pretty hard for the dogs, so do it slowly at first – if you go too fast, she will end up not seeing the upper body and connection and she will go with motion to the other side of the jump. Keep me posted!
Tracy
Tracy Sklenar
KeymasterHi!
I think this session went really well! I agree with your assessment: backsides were easier than the threadles, and the connection on the line from the wing to wing was HARD! But you had a ton of beautiful reps! And it sounds like she had a cheering section too, so fun!!!Breaking it down into the different challenges:
Super happy with the backsides! You had really nice connection to get her to go to the backside every.single.time. And the other thing that was really strong was your exit line connection after backside serp. Convincing the dogs to turn away after they land from the backside is hard but you made it look easy, with very clear exit line connection (looking a little extra directly at her when she landed). You can see it pretty clearly at 1:38 and 1:55, for example, but you had it in place on the other reps too. Super!!!Threadles are definitely harder because they require the upper body (connection, arm, verbal) to override motion. Try not to turn your feet towards her on the threadles – the best reps were when you had your feet moving forward and the connection/upper body cues did the hard work ๐ You can see your feet moving forward at :22, :35, 1:31, for example.
She did had a little trouble with the hard slice jump on the threadles when she was on your left jumping to her left over the bar. She had it sorted out by the end of the session, though. She seemed to have an easy time on the other side (jumping to her right) but that makes sense, because I think she is a righty?
For now, you can move more slowly through the threadle so your feet can point forward and she will still read the upper body and connection cues. As she gets more experience with threadles, you can add more and more running ๐The bigger sequences went well – going from wing to wing is definitely hard for the dogs because they have to pass the jump and there is nothing really obvious out ahead – your connection at 1:07 got it done nicely!
You almost had it at 1:14 but then had a little disconnection when you pointed ahead so she curled off the wing. Compare that to 1:36 – you maintained that connection longer and she went miles away to the wing. YAY!
Be careful not to over-connect like at 1:58 – you were opening up too much there on the connection and it caused a bit too much swinging of your dog side arm back, almost indicating the jump behind you. Compare to the next rep at 2:08 – super connected but not too much rotation so she went directly to the wing. Super!Overall it is a really hard combo because she is moving FAST and you need all of the connections but no disconnection LOL!! You did great!!!
>>What is the last day for video submissions?>>
Feb 21. And I told mother nature that no more bad weather was allowed ๐ so it should be a lovely week!
Great job ๐
TracyTracy Sklenar
KeymasterHi!
“”Kashia was a D.U.D. โ dud โ last night!!! “”I don’t think she was a total dud… but I do think she thought the start of the sequences was stoooopid LOL!! She thought my course design was a loser LOL!! I don’t take it personally ๐
She did NOT like any rep that started with the jump then the wing. She was very much trotting on all of those and also trotted in the middle of the longer sequences when she had to go from the jump to the wing. But she got nice and fast when you were going wing to wing, or wing to the backside, or wing to the threadle. She liked all of those and was running.
So why did she dislike the wing to jump so much? Maybe it didn’t have enough motion, it was too decelerated for her, as a starting point. Good to know! She likes action, and when you were able to run, she was nice and speedy! You can modify the boring starts to add more running or bring out a tunnel or throw in another wing to go around to start her (so it is wing-jump-wing) – anything that add more motion going into it. You can also spread out the distances a lot, so she is going 20-25 feet from the wing to the jump – that’ll get running going! We don’t want her to be bored LOL!!!
Your handling is looking really strong! Lovely ‘regular’ connection throughout. The extreme connection for the backside was also really strong – she only had 2 questions where she ended up on the front side. That was at :54 and 2:20, and what happened there was she just needed a little more upper body rotation to cue the backside. To help support the extreme connection, you can use that outside arm a tiny bit differently: point to the outer edge of the entry wing. It looked like you were pointing to the bar or exit wing, which did not give enough info for her to read it as a backside (she is still learning it). Compare to 1:06 where you had that outside arm pointing a little more to the wing (along with the extreme connection) and she was perfect!
The threadles (close cue) are also looking really good!!!Nice use of hands and connection to help her see it! The next step in training those is to keep moving towards the jump as you pull her in, so she sends herself back out to the jump rather than needing a jump cue from you. Ideally, she will learn that your ‘close’ cues means to come in to the correct side of the jump and go jump it too ๐
Great job here! And if you see her getting dud-like on any part of a sequence like the beginning here, you can add more motion into it and it bet she un-duds ๐
Tracy
Tracy Sklenar
KeymasterHi!
This went really well~ She found the line easily and you did a beautiful job of disconnecting ๐ There was a little zig zag in her line over the 2 jumps, but that was because of the placement of the start wing – it was centered on the bar, so she had to come in a little extra to find the first jump then back out for the 2nd one. But she never needed to look at you, she was looking ahead the whole time and that is exactly what we want ๐ Yay!!Great job!
TracyTracy Sklenar
KeymasterHi!
Ouch, I am glad she is fine!
I am also glad you have the video. What happened here to cause her question was that there were conflicting indicators (where the physical cue says one thing and the verbal says another):The conflicting indicators happened at :14 into :15 – as you were approaching the send line, you decelerated (you can see your strides go from big steps to several small steps) even though you said โjumpโ. That caused her to collect and look at you: โwhich is it, mom?โ.
Then you started the out cue and accelerated a lot – that answered her question about what the next line was, so she tried to move back out to the jump but couldnโt quite get organized in time (she didnโt get her rear under her for the liftoff, which is probably what you mean by the boot scooting :))So it was not really the out cue itself that caused the question, it was the timing of it (and what happened before it). Ideally, as she was landing from the yellow jump before it, you would be accelerating and starting the out cue, so she could go directly to the jump. The send line makes it tricky because you donโt want to go past it – you can go closer to the yellow jump so you can work the send line from further away.
Backside videos: these looked great! Yay!
On Video 1 –
On the 1st rep, as you turned on the extreme connection, you had a little too much physical pressure in towards her so she was wider going to the backside. On the 2nd rep – you had a less physical pressure so her line was quite smooth to the backside! Yay! On both reps – you can start the cues sooner by turning on the biiiiiig connection and backside verbal as she is lifting off for the previous jump so she has the info before landing. That way she can adjust even sooner and create a smoother line to the backside (and will need your motion to support it even less!)Video 2:
Both reps looked really good – just the right amount of physical pressure to go along with the connection and verbal, and she was great! On this side, you can be earlier too – starting the cue no later than liftoff from jump 1. The you have bigger spacing, the cue can come later but for the AKC distances, liftoff to previous jump should work perfectly for the timing!The balance reps looked good on both videos ๐ Yay!!
Great job! Let me know what you think!
Tracy
Tracy Sklenar
KeymasterGood morning!
>When is the last day to submit?>
We have one more week – February 19th ๐
The straight line disconnection game on the first video was terrific!
The first 2 reps (to her right) were really good!! She was not turning as tight around the wing as I think we would want on a jump wrap, so we can also play with reverse spins in those situations to see if it helps her.
Rep 3 – to her left – was the only blooper here. You disconnected a little too early (motion and verbal BOTH donโt support the wing send, there is too much countermotion) so she didnโt take the wing then chased you up the line, probably in โhurry upโ mode.
You kept the connection longer, til she committed to the wing, on the next 2 reps: nailed it! Looked great! And adding in the decel was AWESOME!!!! Good girlie Caper!!!
Looking at the โget outโ video:
Your cues on the first rep were good in terms of staying on your line (staying in motion) while upper body cued the out.
On the 2nd rep – you stopped and faced the jump so she got it. Ideally you would keep moving, so you can stay in motion and throw the reward sooner (as soon as she take one step towards the jump to get it started). That way you can be running and get it!The rest of the sequence (backside to the FC to the wing to the straight line) looked FANTASTIC. Great connection throughout and she had no questions: all speed and great turns and finding lines. LOVE IT!!
Great job here!!โจ
TracyTracy Sklenar
KeymasterGood morning!
It looks like the first video of the straight go without connection is actually the backside foundation video from Monday? Let me know when the straight line video is posted.
The 2nd video was GREAT in that we can really see what she is cuing off of, in terms of connection versus motion.
The first couple of reps had more motion to get her to the backside (meaning you were moving to the entry wing a lot) so she went (like at :29) but it was more motion-based and not as independent.
At :47 – I liked your position here, moving to the center of the bar. That is where we really build up the independence! You can see you were looking forward here so she almost took the front of the jump until you stepped in towards her more.
So at 1:07 when you were not as far ahead, she did take the front because the motion did not show the line soon enough.
But look at 1:22 – you spiced up the cue with very clear connection and she really had no questions – she went directly to the backside with you moving to the center of the bar. The outside arm there helped, but the connection was really making the difference. So keep moving to the center of the bar but with the big connection – that is getting the send to the backside without you needing to move close to it.
My only other suggestion is to put a wing on the entry side of backside jump – that gives her a bigger visual to drive towards and helps set up the jumping better than a wingless does.
Great job!
Tracy
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